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Staging Translation: Refugee Voices in German Theater

When Austrian writer Elfriede Jelinek’s play Die Schutzbefohlenen premiered in 2014 in Mannheim, Germany, it prompted debate about the representation of refugees in European theater. Jelinek’s text, loosely based on Aeschylus’ The Suppliants, features an undefined “we” telling of flight across the sea, and … Read more

Constructing and Leveraging ‘Flight and Expulsion’: Expellee Memory Politics in the Federal Republic of Germany, 1944-1990

569 Hamilton Hall 102 Emerson Drive, Chapel Hill, NC, United States

The presentation examines the widespread antagonism and hostility that victims of flight and expulsion faced upon their arrival in Germany between 1945 and 1949 and expellee responses. A condensed version of chapter three of his dissertation, Peter argues that in … Read more

Political Cover or Moral Imperative: Reparations in West Germany

569 Hamilton Hall 102 Emerson Drive, Chapel Hill, NC, United States

Claire Greenstein is a postdoctoral researcher at Georgia Tech in the Sam Nunn School of International Affairs. She received her PhD in political science at the University of North Carolina at Chapel Hill in July 2018. Her dissertation focuses on … Read more

“Russian Spy,” “German Voltaire,” “Fickle Genius”: August von Kotzebue as a Problem for German History and Literature | NCGS Seminar

569 Hamilton Hall 102 Emerson Drive, Chapel Hill, NC, United States

The author of over 200 plays, August von Kotzebue (1761-1819) was one of the most prolific and successful writers of his day. Yet Kotzebue’s career was shadowed by controversy and bitter disputes, which culminated in his assassination by the student … Read more

Singing Schubert, Hearing Race: Black Concert Singers and the German Lied in Interwar Central Europe | NCGS Seminar

569 Hamilton Hall 102 Emerson Drive, Chapel Hill, NC, United States

This presentation explores the rise in popularity of African American classical musicians in interwar Germany and Austria. Singing Lieder by Schubert, Brahms, and others, they challenged audiences’ expectations of what a black performer looked and sounded like in the transatlantic … Read more